Godfrey Cheshire is a film critic, journalist and filmmaker based in New York City. Notable Video Game Releases: New and Upcoming. Review of Asghar Farhadi's Fireworks Wednesday. Farhadi also creates interesting mini-dramas with the disappearance of Rouhi’s chador, or the reappearance of a lighter, and even Amir Ali hiding in the apartment. Combustible Celluloid Review - Fireworks Wednesday (2006), written by Asghar Farhadi, Mani Haghighi, directed by Asghar Farhadi, and with Hedye Tehrani, Taraneh … It’s more realistic, more pedestrian than that – which gives it a real ring of low-key emotional truth. I loved this movie, but there's something to that. It follows Roohi, a wide-eyed bride-to-be, as she gets an education on marital conflict and human complexity on the last day of the Iranian new year. The critics have spoken, and what they've said is this: Do not see these... Music title data, credits, and images provided by, Movie title data, credits, and poster art provided by. With the through-the-roof achievements of his penetrating marital drama “A Separation” in 2011, Asghar Farhadi leapt over several of his world-renowned countrymen to become the most internationally successful Iranian auteur yet. A mildly intriguing look at marital life and strife told largely from an outside observer's perspective. Farhadi also introduces a style that is cooler, more intricate and refined. She asks Roohi to make an appointment and gather information at the salon of the woman she suspects. Indeed, while some may trace the problems evoked here to the impositions of a state that tries to impose religion by law, Iranian conservatives might deduce that this marriage’s problems come from the couple being too selfish, Westernized and removed from religion. The heart detonates with each one. All in all, "Fireworks Wednesday" makes for a nice matinee offering but not a landmark work in the annals of filmmaking. As Fireworks Wednesday builds to its quietly powerful conclusion, there is tension created as to what secrets and lies will be exposed, as well as if, how, and when. By the end of the story’s first act, we’ve learned the reason for the marital meltdown. While “About Elly” displays these qualities at their most expansive and dramatically charged, “Fireworks Wednesday” is inarguably the film that most resembles “A Separation” and lays the groundwork for its brilliance. Roohi (Taraneh Alidoosti, "I Am Taraneh, I Am Fifteen Years Old") is a young girl about to be married. The “Fireworks Wednesday” in question is the eve of the Persian New Year, and the film takes place over the course of that one long day. Sort by: janh24's rating of the film Fireworks Wednesday. 'Fireworks Wednesday': EW review. After the overwhelming acclaim of A Separation and a mini-crossover with The Past, the early films of Iranian director Asghar Farhadi have started trickling into American arthouses. With gripping, tightly structured screenplay covering themes of marriage, lies, deception, and infidelity, superbly shot and brilliantly directed with so much depth and nuances to bring the most impressive performances out of its cast, 'Fireworks Wednesday' is another testament to Asghar Farhadi as a … Scott Pilgrim vs. the World: The Game - Complete Edition, MXGP 2020 - The Official Motocross Videogame, Night Stalker: The Hunt for a Serial Killer. Fireworks Wednesday. While the style in some moments recalls American filmmakers including Altman, Lumet and Kazan, its distinctiveness and eloquence ultimately testify to the gifts of Farhadi, one of the contemporary cinema’s most essential masters. Godfrey Cheshire is a film critic, journalist and filmmaker based in New York City. With “Fireworks Wednesday,” Farhadi turns his attention to the Iranian middle class and the strains within the marriages of people who are materially comfortable. As romantic tensions escalate, so do the firecracker bursts. (Because it dates from Zoroastrian times, Fireworks Wednesday is held in suspicion by Iran’s Islamic rulers; it has figured into other Iranian films, including Jafar Panahi’s “This Is Not a Film.”) Due to the celebration, fireworks are going off constantly outside, but if that makes Roohi’s snazzy place of employment sound like a war zone, it also looks like one: there’s a broken window, glass on the floor and furniture in wild disarray. Eye For Film >> Movies >> Fireworks Wednesday (2006) Film Review Fireworks Wednesday. Fireworks Wednesday tells this couple's story from the point of view of their new cleaning lady, Roohi (Taraneh Alidoosti). This is a thoroughly engrossing and densely textured drama, showing Farhadi's cool skill in dissecting the Iranian middle classes and the unhappiness of marriage. (This crucial scene occasions one of Farhadi’s most startling stylistic maneuvers: As the action in the street occurs, the camera remains planted in the elevator Morteza has used to reach his wife, even as it ascends again.). Review: ‘Fireworks Wednesday’ sheds light on earlier work of Oscar-winning filmmaker from Iran Hedieh Tehrani as Mojdeh n “Fireworks Wednesday.” (Grasshopper Film) But Farhadi is skilled in the careful subtleties and understated symbolic nuances developed by previous Iranian filmmakers, and he has a special weapon in his own arsenal: maximum complexity. It proves to be not just interesting in how it foreshadows the filmmaker's more mature works, but also a gripping piece of storytelling in its own right. Fireworks Wednesday could work just as well as a chamber play as a film, but Farhadi uses the medium to careful, cunning effects. After capturing the Golden Bear at Berlin, the feature, Farhadi’s fifth, went on to rake in unprecedented earnings for an Iranian film as well as a stream of honors that culminated in its becoming the first Iranian film to win the Oscar for Best Foreign Language Film. With a bit of clever misdirection, “Fireworks Wednesday” introduces the poorer characters first. He has written for, Spike Lee Receives American Cinematheque Award, America Has to Come to a Reckoning: Director Sam Pollard on MLK/FBI, The TV Homages of WandaVision are an Amusing, Unfulfilling Distraction. The. [Farhadi and cowriter Mani Haghighi] prove to be stronger on atmosphere than on structure, aided by crisp, unnerving camerawork. Fireworks Wednesday is an honest and subtle and provocative film that takes a very simple and utterly believable story and lets a set of complicated issues weave in and through it effortlessly. No wonder the censors weren’t quick to pounce. Sheila O'Malley of Slant Magazine praised the movie as well as Hedyeh Tehrani 's performance: " Hedyeh Tehrani, a delectable actress, plays Mozhde, the depressed wife. The same day she tries on her wedding gown, Roohi is assigned a job at an apartment in a ritzier district of Tehran. Although the three films can’t be called a trilogy, in a sense they form a group. A Separation may still be my favorite Farhadi movie but I'm not sure if I like this more or About Elly. It is about three relationships, two married and one to-be-married, and dealt with during the course of one day, the Persian New Years Day. The main location in both films is the apartment of an upper-middle-class Tehrani couple, yet the characters include not only that couple but also one from the lower social echelons. C lutter fills the mise-en-scène of Fireworks Wednesday like an unstated question pondering the fine line between a celebration and chaos. Given the wide interest the film excited, it’s hardly surprising that curiosity regarding Farhadi’s little-seen earlier work has grown since. by Matt Levine. His films aren't about the abstract idea of romance. You can feel the brain put into it, the attention to details, the strong storytelling, those flawless performances, gut wrenching and nerve-racking sequences. It is Fireworks Wednesday, a rowdy holiday that precedes the spring-equinox arrival of the Persian New Year (this year on March 20). As with all of Farhadi's films there's a frailty behind his characters, with their insecurities and moral dilemmas bubbling to the surface as the director slowly raises the temperature in this pressure cooker of domestic strife. Fri Mar 18, 2016 at 3:01pm ET Thu Mar 24, 2016 at 3:01 pm EDT By Ron Wilkinson . I loved this movie, but there's something to that. As he does to such masterful effect in “A Separation,” here he constructs a story that keeps revealing new thematic and psychological layers, ones that often come to light through the shifting of perspective from one character to another, a technique that deepens our sympathy for the people we’re watching to the point of our realizing that, as in Renoir, “everyone has their reasons.” And while a critique of Iranian society is certainly implied, the narrative complexity means that its exact meaning is left to the viewer. While “About Elly” displays these qualities at their most expansive and dramatically charged, “Fireworks Wednesday” is inarguably the film that most resembles “A Separation” and lays the groundwork for its brilliance. The film’s style exhibits a similar purposeful complexity. Asghar Farhadi's 2006 film interrogates the tensions between tactility and vision in complex ways. 1 0; Steve G.'s rating of the film Fireworks Wednesday. The drama i… It is the happiest of Persian holidays, an excuse for families to get together, an excuse to set bonfires in the streets and dance around them, and yet it has a controversial history in recent years, since it is a remnant of the Zoroastrian past. 8 / 10. The sometimes-melodramatic narrative, with its allusions to infidelity and relationship discord, may be daring by Iranian audience standards, but it's hardly the stuff of groundbreaking material in the world of cinema at large. Or is Mozhde, a woman hemmed in and perhaps unhinged by the restrictions and pressures Iranian society places on women, fantasizing the infidelity? When she enters, Roohi finds the man of the house, Morteza (Hamid Farokhnezhad), talking agitatedly on the phone and waving a bandaged hand. Using cinematographer Hossein Jafarian’s crisp images, Farhadi develops the mode of camerawork that would characterize his subsequent films, a technique that involves constant movement and reframing (especially in the apartment’s beautifully designed interiors) in order to follow the shifting of perspectives among characters as well as the story’s emotional twists. July 09, 2015 22:23. ALL RIGHTS RESERVED. A Separation may still be my favorite Farhadi movie but I'm not sure if I like. As the slow-burning film—set over a single day–turns up the heat, the bang-bang sound of New Year’s firecrackers is a constant presence in the background. Now we see his third, 2006's "Fireworks Wednesday" and if there is one thing we can take away from Farhadi's oeuvre, it is that marriage is a minefield. Ratings & Reviews. Asghar Farhadi's Fireworks Wednesday is, as would be expected, a beautiful, delicate and keenly observed film. Ratings & Reviews. 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